The story I wrote for this issue is called "Last Man Standing," and it's a departure for me in many ways. First of all, I don't write zombies. They are far from my favorite trope; there's only so much they can do in terms of character development or witty repartee, and every time I try for a detailed physical description I get a flashback to the month I spent doing an elective with Connecticut State Chief Medical Examiner's office, and have to stop.
Excuse me. Be right back.
OK, I'm fine.
I also wrote it in dialect, which I don't usually do. I've written in accent (which is pretty easy; just use the word order of the character's primary language, and mess up the definite and indefinite articles in a way consistent with it - or dispense with them entirely if the accent is Russian.) I did that in "Durak," and it seems to have worked well enough. But the trap in dialect writing is to avoid stereotyping. James Herriott did an amazing job of making all his Yorkshire farmers sound like Yorkshire farmers while remaining distinctly different people; Albert E. Cowdrey still does the same for all his denizens of New Orleans in stories that brighten nearly every issue of F&SF. But what do I know? I speak fluent Brooklynese, and I used that in "Hither and Yon" but that's the end of my direct experience. So I took a chance. I wrote a story in a vaguely southern dialect, gave it a back-woods setting, and I sent it to an editor who lists her birthplace as Tennessee.
What was I thinking?
I was thinking she's a great editor. I was thinking that if I got it right she'd know, and if I didn't she'd know, too.
I was also thinking I'd love to be a part of this magazine which manages to be both different and good - and if it does a zombie issue, there won't be good old-fashioned brainivorous zombies shambling through it on their way to a shotgun wedding.
Which is fine, since my zombies definitely aren't.
Seriously, I hope you buy this issue (or have a subscription already) and I hope you like what's in it. It's an adventure, because:
For an occurrence to become an adventure, it is necessary and sufficient for one to recount it.
Jean-Paul Sartre
Jean-Paul Sartre
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